Det bliver en atmosfærisk og tung rejse når italienske Messa kommer forbi Stengade, i 2016 gav de en tryllebindende koncert trods sygdom hos sangerinde Sara. Messa som snart udgiver deres tredje plade via Svart Records er en skjult skat indenfor doom og atmosfærisk rock music, de blander på unik måde jazz og doom musik som skaber en verden af sig selv. Er du fan af kunstnere som Chelsea Wolfe, Jex Thoth, The Devil's Blood, Windhand, Dool og Emma Ruth Rundle kan vi kun anbefale at du tjekker dem ud. De tager belgiske Wyatt E som spiller pilgrims doom og drone metal.
Messa:
Svart Records to release new album by rising stars of eclectic heavy rock, Messa on the 11th of March 2022.
Messa’s rising trajectory hits the stratosphere on their immense new album “Close”. Soaring up out of the Italian Doom Rock underground in 2014, Messa have been rapidly garnering a frenzied throng of devotees, in thrall to their monumental and broad-ranging sound craft. Releasing two widely celebrated cult records, the latest of which “Feast For Water” in 2018 was a critical breakthrough success, with Rolling Stone calling the whole album “captivating, wringing maximum drama out of its savvy stylistic clash,” Messa have had everyone on tenterhooks, waiting for what was next.
New album “Close” draws us further into Messa’s spellbinding textures and immersive dynamics. Described as “Stevie Nicks fronting Black Sabbath,” singer Sara’s colossal voice omnipotently carries the listener on an emotional rollercoaster ride where the sonic cauldron of Iommi guitars gives way to Arabian oudh and progressive solos in a masterful style-clash that well befits Messa’s incendiary reputation.
The hushed Fender Rhodes piano intro on opener “Suspended,” picks up where Messa left off on their previous album “Feast For Water” but then collapses gloriously into Jazz guitar and widescreen impassioned crushing riffs, lighting our way for the odyssey ahead. The scene is set magnificently for the journey that “Close” expertly takes the listener on, with Messa’s obvious care and passion for the album as a pilgrimage of sonic experience. Heavyweight tracks like “If You Want Her To Be Taken” or “0=2” are modern Doom Rock classics that expertly upgrade and leave the genre reeling in their wake. “Pilgrim” and “Orphalese” are woven with tapestries of Mediterranean sounds where oudh and eastern chord phrasings expand Messa’s cinematic palette with a panache that is all their own. Atmospheric and grandiose belters like “Rubedo” and “Dark Horse” build into an almost limitless climax of discord and harmony where blast beats and saxophones descend into a thrilling cacophony that’s a masterclass in artful cutting edge Doom.
Referencing bands like Dead Can Dance, Swans and Om, Messa have created an album where song, experience and atmosphere are focused into a crystalline modus where high art flawlessly embraces good old fashioned riff-worship. Transcending the occult and noir-tinted atmospheres of their past works, “Close” confidently weaves Messa’s multifarious influences into a singular breath-taking sound that leaves the listener enthralled. Perfection or something extremely close, Messa’s “Close” is not just a Metal record, but it’s definitely one of the best things to break out of the confines of Metal in a long time.
Wyatt E:
Wyatt E. writes the soundtrack of a Pilgrimage to Neo-Babylonian Empire. A travel in the past which leads to ancient Gods, forgotten cities and lost civilisations. Kol Badai seals the long awaited return of the band since their critically acclaimed record
Exile to Beyn Neharot released in 2017 which brought them to major doom/stoner festivals in Europe and Israel: Desert Fest Antwerp, Stoned from the Underground, Smoke over Warsaw, Tales of Doom Basel, Bristol Psych Fest, Red Smoke Festival, Under the
Doom Lisbon, Mount Of Artan, Dour festival, Electric Meadow,…
They’re now stepping off their journey for an outstanding collaboration with Jerusalem singer Tomer Damsky (Wackelkontakt / Parve) on a split single with their soulmate London band Five The Hierophant.
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